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Renaissance sculpture took as its basis and model the works of classical antiquity and its mythology, with a new vision of humanist thought and the function of sculpture in art. As in Greek sculpture, the naturalistic representation of the naked human body was sought with a highly perfected technique, thanks to the meticulous study of human ...
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
Clement XIV founded the Museo Pio-Clementino in 1771; it originally contained artworks of antiquity and the Renaissance. The museum and collection were enlarged by Clement's successor Pius VI. Today, the museum houses works of Greek and Roman sculpture. Some notable galleries are as follows:
Mostly built in the 13th century, since 1865 it has housed the Museo Nazionale del Bargello, a national art museum. It is the primary national collection for Italian Renaissance sculpture, of which its collection of Florentine works is unequalled, and for the decorative arts of Florence, especially from the Renaissance period. There are also ...
Italian Renaissance sculpture was an important part of the art of the Italian Renaissance, in the early stages arguably representing the leading edge. [1] The example of Ancient Roman sculpture hung very heavily over it, both in terms of style and the uses to which sculpture was put.
Sculptures from the Renaissance period in Western Europe, considered to have begun in the 14th century in Italy and the 16th century in northern Europe. Subcategories This category has the following 2 subcategories, out of 2 total.
The sculpture was bought "on a hunch" by the art dealer Horace Baxter [2] at "an obscure auction" in Kent for £16. [3] He took the sculpture to the Victoria and Albert Museum, where it was immediately recognised by the curator and art historian John Pope-Hennessy as a major Renaissance work.
The sculpture collection displays artwork of the Christian Orient (with an emphasis on Coptic Egypt), sculptures from Byzantium and Ravenna, sculptures of the Middle Ages, the Italian Gothic, and the early Renaissance, including the controversial Flora attributed by Bode to Leonardo da Vinci but now widely argued to be a 19th-century work.
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