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The snares are a fundamental ingredient in the pressed (buzz) drum roll, as they help to blend together distinct strokes that are then perceived as a single, sustained sound. The snare drum is the first instrument to learn in preparing to play a full drum kit. Rudiments are sets of basic patterns often played on a snare drum. [4]
Snare technique is the technique used to play a snare drum. It is studied as an end to itself by snare drummers, and as a way of developing stick control skill by kit drummers and players of other auxiliary percussion instruments. Snare drum is the first instrument that most percussionists learn to play.
The term "drum rudiment" is most closely associated with various forms of field drumming, where the snare drum plays a prominent role. In this context "rudiment" means not only "basic", but also fundamental. This tradition of drumming originates in military drumming and it is a central component of martial music.
The snare drum is one of the most easily recognizable instruments in the entire percussion section. Also called the side drum, the snare drum is often used as a means of accenting rhythms from other families of instruments within the orchestra or as a soloistic type, particularly in pieces that may have a "military" type theme or sound to them.
Three kinds: a barrel drum, an hourglass drum and a goblet drum. Not pitched but tone can be changed with wax on drumhead Timbal: Brazil Unpitched 211.251.1 Membranophone Timbales: Cuba Unpitched 211.212.2 Membranophone Timpani: Pitched 211.11-922 Membranophone Also called kettle drums Tingsha: Tibet Unpitched 111.142 Idiophone Tom-tom drum ...
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Musically, the snare drum section has the most rudimentarily challenging "book", or music. The instrument's role is that of the soprano line, typically carrying the melody or the main rhythm of the ensemble. Marching snare drums are deeper in size than snares normally used for orchestral or drum kit purposes. This gives the drum the big, full ...
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