Search results
Results from the WOW.Com Content Network
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
All compositions by Pyotr Ilyich Tchaikovsky "Overture" – 3:22 "Toot Toot Tootie Toot (Dance of the Reed-Pipes)" – 2:30 "Peanut Brittle Brigade (March)" – 4:37
{{IMSLP|author=composer's name as specified at IMSLP|cname=name to be displayed}} |author= is the part behind the colon of the IMSLP composer category page. |cname= is an optional parameter for the name to be displayed; if not set, the page name is used. |descr= is an optional parameter for customizing the text displayed. If not informed, "Free ...
The Nutcracker (Russian: Щелкунчик [a], romanized: Shchelkunchik, pronounced [ɕːɪɫˈkunʲt͡ɕɪk] ⓘ), Op. 71, is an 1892 two-act classical ballet (conceived as a ballet-féerie; Russian: балет-феерия, romanized: balet-feyeriya) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll.
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Leonhard von Call (19 March 1767 – 19 February 1815), sometimes referred to as "Leonhard de Call", was an Austrian composer and virtuoso on the mandolin and guitar. [ 1 ] [ 2 ] [ 3 ] During his lifetime he focused less on performing and more upon teaching and writing music for others to play. [ 1 ]
Strauss in London, June 1914 after receiving his honorary Doctorate from Oxford University. Le bourgeois gentilhomme (in German, Der Bürger als Edelmann), Op. 60, is an orchestral suite compiled by Richard Strauss from music he wrote between 1911 and 1917.
When this translation was quoted in Druskin's Stravinsky biography, the field was widened to all of Stockhausen's compositions and Druskin adds for good measure, "indeed, works he calls unnecessary, useless and uninteresting", again quoting from the same Sovetskaia Muzyka article, even though it had made plain that the characterization was of ...