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The argument from beauty (also the aesthetic argument) is an argument for the existence of a realm of immaterial ideas or, most commonly, for the existence of God, that roughly states that the evident beauty in nature, art and music and even in more abstract areas like the elegance of the laws of physics or the elegant laws of mathematics is evidence of a creator deity who has arranged these ...
Theological aesthetics is the interdisciplinary study of theology and aesthetics, and has been defined as being "concerned with questions about God and issues in theology in the light of and perceived through sense knowledge (sensation, feeling, imagination), through beauty, and the arts". [1]
A beauty deity is a god or (usually) goddess associated with the concept of beauty. Classic examples in the Western culture are the Greek goddess Aphrodite and her Roman counterpart, Venus. The following is a list of beauty deities across different cultures. For some deities, beauty is only one of several aspects they represent, or a lesser one.
In Hindu theology, arishadvarga or shadripu (Sanskrit: षड्रिपु; meaning the six enemies) are the six enemies of the mind, which are: kama (Desire/Lust), krodha (Anger), lobha (Greed), mada (Ego), moha (Attachment), and matsarya (Jealousy) additionally alasya (laziness).
Notably, at the very end of Dante's Paradiso, Dante visits God in the Empyrean. The word is used both as a noun and as an adjective, but empyreal is an alternate adjective form. The scientific words empyreuma and empyreumatic , applied to the characteristic smell of the burning or charring of vegetable or animal matter, have the same Greek origin.
In Praise of Shadows (陰翳礼讃, In'ei Raisan) is a 1933 essay on Japanese aesthetics by the Japanese author Jun'ichirō Tanizaki. It was translated into English, in 1977, by the academic students of Japanese literature Thomas J. Harper and Edward Seidensticker. A new translation by Gregory Starr was published in 2017.
The phrase has several variants: (the/a) Devil (is) in the detail(s).The original expression as, "God is in the detail" with the word detail being singular, colloquial usage often ends the idiom as details plural; where the word detail without an s can be used as both a singular and collective noun.
According to the Shiva Purana, Brahma (the god of creation) and Vishnu (the god of preservation) had an argument over their supremacy. [10] [11] To settle the debate, Shiva took the form of jyotirlinga, an infinite pillar of light. [12] Shiva declared that the dispute would be resolved if the two could discover his head and feet.
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