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Stabat Mater is a motet for double chorus by Giovanni Pierluigi da Palestrina. It was composed in the Late Renaissance period sometime during the late 16th century. It is centered on the 20 verses of text that constitute the hymn of the same name.
The Stabat Mater is a 13th-century Christian hymn to the Virgin Mary that portrays her suffering as mother during ... Giovanni Pierluigi da Palestrina: Stabat Mater ...
Giovanni Pierluigi da Palestrina, lithograph by Henri-Joseph Hesse. This is a list of compositions by Giovanni Pierluigi da Palestrina, sorted by genre.The volume (given in parentheses for motets) refers to the volume of the Breitkopf & Härtel complete edition in which the work can be found.
Stabat Mater (Palestrina) This page was last edited on 5 March 2024, at 13:34 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License ...
Palestrina: Missa Papae Marcelli, Missa Aeterna Christi Munera, Stabat mater (Schola Cantorum of Oxford) / Allegri: Miserere, December 1995 (Naxos 8.553238)§ Gibbons: Choral and Organ Music (Laurence Cummings, organ), January 1996 (Naxos 8.553130) Weelkes: Anthems, January 1996 (Naxos 8.553209) Schütz: Psalmen Davids, July 1996 (Naxos 8.553044)
Missa Papae Marcelli, or Pope Marcellus Mass, is a mass sine nomine by Giovanni Pierluigi da Palestrina.It is his best-known mass, [1] [2] and is regarded as an archetypal example of the complex polyphony championed by Palestrina.
King John IV (1603–1656), King of Portugal and early musicologist, with an essay on Giovanni Pierluigi da Palestrina João Lourenço Rebelo (1610–1665), composer close to John IV Filipe da Madre de Deus (1633–1688), composer and kapellmeister of the royal music chamber
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