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The Stabat Mater is a 13th-century Christian hymn to the Virgin Mary that portrays her suffering as mother during the crucifixion of her son Jesus Christ. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III .
Stabat Mater (Latin for "the mother was standing") is a compositional form in the crucifixion of Jesus in art depicting the Virgin Mary under the cross during the crucifixion of Christ alongside John the apostle. Rood cross group, Church of St Mary, Gdansk. It is common in groups of sculpture on a rood screen, and in paintings.
Vivaldi's Stabat Mater only uses the first ten stanzas of the hymn. [2] The music is keyed in F minor, and is generally slow and melancholy, with allegro only being used once in the Amen, and all the other movements not going faster than andante. Movements 4, 5, and 6 are identical to the first three musically.
The number of other figures shown depended on the size and medium of the work, but there was a similar trend for early depictions to show a number of figures, giving way in the High Middle Ages to just the Virgin Mary and Saint John the Evangelist, shown standing on either side of the cross, as in the Stabat Mater depictions, or sculpted or ...
Stabat Mater for solo alto and orchestra, RV 621, is a composition by the Italian baroque composer Antonio Vivaldi on one of the Sorrows of Mary. It was premiered around 1712 Items portrayed in this file
The Stabat Mater section toward the end of the piece concludes on a simple chord of D major, and this gesture is repeated at the very end of the work, which finishes on a triumphant E major chord. These are the only tonal harmonies in the work, and both come as a surprise to the listener; Penderecki's use of tonal triads such as these remains a ...
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European and American performances of his Stabat Mater were world-scale events, progressing successfully in Naples, Paris, Liège, New York, Chicago and Worcester. A performance of King Roger in Prague on 21 October 1932 directed by Josef Munclingr closely reflected Szymanowski's own idea of the piece, and was a huge success, as was the stage ...