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However, there was a movement to revive the practice as a symbol of female empowerment and of their Ryukyuan cultural heritage. [4] Some people, concerned about the professional ramifications of permanent tattoos on their hands, turned to temporary Hajichi made using fruit-based inks.
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
Onna-musha (女武者) is a term referring to female warriors in pre-modern Japan, [1] [2] who were members of the bushi class. They were trained in the use of weapons to protect their household, family, and honour in times of war; [ 3 ] [ 4 ] many of them fought in battle alongside samurai men.
Kunoichi (Japanese: くノ一, also くのいち or クノイチ) is a Japanese term for "woman" (女, onna). [1] [2] In popular culture, it is often used for female ninja or practitioner of ninjutsu (ninpo). The term was largely popularized by novelist Futaro Yamada in his novel Ninpō Hakkenden (忍法八犬伝) in 1964. [1]
Yuki no kata and her husband defending Anōtsu castle. Yuki no Kata (ゆきの方), Lady Kita or Oyuki (おゆき), was a Japanese female warrior in the Sengoku period.She was the daughter of Ukita Hideie and Gōhime.
Lady Kai (甲斐姫) ("hime" means lady, princess, woman of noble family), speculated to have been born in April 15, 1572, was a Japanese female warrior, onna-musha from the Sengoku Period. She was a daughter of Narita Ujinaga and granddaughter of Akai Teruko, retainers of the Later Hōjō clan in the Kantō region.
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Hangaku Gozen, woodblock print by Tsukioka Yoshitoshi, c. 1885 . Lady Hangaku (坂額御前, Hangaku Gozen) [1] was a onna-musha warrior, [2] [3] one of the relatively few Japanese warrior women commonly known in history or classical literature.
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