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Richard Charles Hoagland (born April 25, 1945) is an American author and a proponent of various conspiracy theories about NASA, lost alien civilizations on the Moon, and on Mars and other related topics.
Sonora Review publishes fiction, non-fiction, and poetry, as well as interviews, book reviews, and art. Each issue is produced by graduate student volunteers in the Creative Writing Department at the University of Arizona. Former staff members include Antonya Nelson, Robert Boswell, Richard Russo, Tony Hoagland, and David Foster Wallace.
Richard E. Hoagland (born 1950), U.S. diplomat This page was last edited on 11 March 2023, at 00:46 (UTC). Text is available under the Creative Commons ...
The title of Richard E. Grant’s memoir, “A Pocketful of Happiness,” is both misleading and utterly truthful. On the one hand, the book is full of charming anecdotes which are indicative of ...
Ploughshares also publishes longform stories and essays, known as Ploughshares Solos (collected in the journal's fall issue and published separately as e-books), all of which are edited by the editor-in-chief, Ladette Randolph, [3] and a literary blog, launched in 2009, which publishes critical and personal essays, interviews, and book reviews. [4]
The Best American Poetry 2003, a volume in The Best American Poetry series, was edited by David Lehman and by guest editor Yusef Komunyakaa.. Ron Smith, reviewing the book in The Richmond Times-Dispatch, wrote that Galway Kinnell's When the Towers Fell is "often moving, even if it doesn't manage the fusion of Walt Whitman and T. S. Eliot it aims for."
Fifth Wednesday Journal (FWJ) was a non-profit American literary magazine established in 2007 by Vern Miller that published fiction, essays, visual art, interviews, and book reviews both in print and online. [1] Fifth Wednesday Journal was established in Lisle, Illinois. It ceased publication in 2019. [2]
Kirkus Reviews, in its starred review, called Bewilderment a "touching novel that offers a vital message with uncommon sympathy and intelligence." [5] Dwight Garner of The New York Times characterized it as a book about "ecological salvation" with a "nubbly sentimentality" but said it "is so meek, saccharine and overweening in its piety about nature that even a teaspoon of it numbs the mind."
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