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It is regarded as the first complete Urdu stage play ever written. [1] [2] The play was translated into German in the 1880s as a doctoral thesis at the University of Leipzig by Friedrich Rosen, and published to positive critical reception in 1892. [1] [2] [3] A film, Indrasabha, based on the play was released by Madan Theatre in 1932. [4]
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
He can "talk to himself", "to somebody else", "refer to something" etc. For example Firaq Gorakhpuri, whose takhallus is the word for the common theme in Urdu poetry of the state of pining for the beloved, plays on his pen name and the word firaq: Urdu: تو یہ نہ سمجھنا کے فِراق تیری فِراق میں ہیں
Angarey or Angaaray (translated alternatively as "Embers" or "Burning Coals") is a collection of nine short stories and a one act play in Urdu by Sajjad Zaheer, Rashid Jahan, Mahmud-uz-Zafar and Ahmed Ali first published in 1932 and generally considered to have marked the beginning of the Progressive Writers' Movement in Indian literature.
Syed Imtiaz Ali Taj (Urdu: سیّد امتیاز علی تاؔج; Sayyid Imtiyāz ʿAlī Tāj; 1900–1970) was a Pakistani dramatist who wrote in the Urdu language. [1] He is best known for his 1922 play Anarkali , based on the life of Anarkali , that was staged hundreds of times and was adapted for feature films in India and Pakistan ...
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In Persian, Turkic and Urdu poetry, the matla ' (from Arabic مطلع maṭlaʿ; Persian: مطلع; Azerbaijani: mətlə; Turkish: matla; Uzbek: matla; Urdu: مطلع) is the first bayt, or couplet, of a ghazal. [1] [2] In this sense, it is the opposite of the maqta'.
Literature written in Hindi-Urdu was not common prior to the 1700s. [14] In North India, rich literary cultures existed in Awadhi and Brajbhasha, with earliest Awadhi texts dating to the 14th century. [15] In Delhi, poets wrote in Persian, while Rekhta/Hindvi (what is now recognizable as Hindi-Urdu) did not have the same literary recognition. [16]