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I Wonder Do You Think of Me was Whitley's final studio album before his death from alcohol poisoning in 1989. "I'm Over You" was the album's third and final single, written by Tim Nichols and Zack Turner. It is composed in the key of F major, following a main chord pattern of F-B ♭-F. [2]
"I'm Over You" is a song by Martine McCutcheon. Written by the songwriting duo Carl Sturken and Evan Rogers, the single became McCutcheon's second-highest-charting single (behind the 1999 number-one "Perfect Moment"), peaking at number two on the UK Singles Chart in November 2000. The song also found modest success in Ireland, reaching number 23.
"I'll Be Over You" is a hit single by the American rock band Toto. Released as the lead single from their 1986 album, Fahrenheit , the song reached number 11 on the Billboard Hot 100 chart in 1986. Lead vocals were sung by guitarist Steve Lukather , who co-wrote the song with hit songwriter Randy Goodrum (one of several collaborations between ...
Georgia Gibbs recorded the song as "I'm Walking the Floor Over You" in 1957 and it charted briefly in the Billboard Hot 100 in the number-92 spot. Pat Boone recorded the song in 1959, and it had a modest success reaching number 44 in the Billboard Hot 100, [9] and #39 in the UK charts [10] in 1960.
Download QR code; Print/export Download as PDF; Printable version; ... "I'm Over You" is a song by the group Sequal from their 1988 debut album Sequal. Track listing
"When You Say Nothing at All" Paul Overstreet, Don Schlitz: Alison Krauss and Union Station: 4:21: 6. "Charlotte's in North Carolina" Dean Dillon, Blake Mevis, Kent Robbins, David Wills: Keith Whitley: 2:59: 7. "I Just Want You" Barnes, Seals: Keith Whitley and Lorrie Morgan: 3:31: 8. "Little Boy Lost" Daron Norwood, Wayne Perry: Daron Norwood ...
The album was remastered and reissued by Harvest in 2002 with bonus tracks: "Child of Man" (single B-side) (Lees) – 3:21 "I'm Over You" (single A-side) (Lees) – 3:53 ...
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).