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John Birks "Dizzy" Gillespie (/ ɡ ɪ ˈ l ɛ s p i / gil-ESP-ee; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. [2] He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge [3] but adding layers of harmonic and rhythmic complexity previously unheard in jazz.
The Harlem Renaissance was an intellectual and cultural revival of African-American music, ... Trumpeter Dizzy Gillespie is emblematic of the mixture of high class ...
His band included trumpeters Dizzy Gillespie, Jonah Jones, and Adolphus "Doc" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, guitarist Danny Barker, bassist Milt Hinton, and drummer Cozy Cole. [3] Calloway had several hit records in the 1930s and 1940s, becoming the first African-American musician to sell one million copies of a record.
In 1941 Calloway fired Dizzy Gillespie from his orchestra after an onstage fracas. Calloway wrongly accused Gillespie of throwing a spitball; in the ensuing altercation Gillespie stabbed Calloway in the leg with a small knife. [3] The band broke up in the late 1940s. [4]
The Harlem Renaissance, also known as the New Negro Movement, was a cultural, social, and artistic explosion centered in Harlem, New York, and spanning the 1920s.This list includes intellectuals and activists, writers, artists, and performers who were closely associated with the movement.
Following the repeal of Prohibition in 1933 and the Harlem riot of 1935, jazz venues began moving from Harlem to Midtown, around 52nd Street, and downtown. [5] The new Cotton Club opened September 24, 1936, at Broadway and 48th Street, in the Great White Way section of the Theater District near Times Square. The Cotton Club was closed for the ...
It became known as Harlem Week, and would go on to draw back those who had departed. 50 years on, Harlem Week shows how a New York City neighborhood went from crisis to renaissance Skip to main ...
Minton's original owner, Henry Minton, was known in Harlem for being the first ever black delegate to the American Federation of Musicians Local 802. [3] In addition, he had been the manager of the Rhythm Club, in Harlem, in the early part of the 1930s, a venue which Louis Armstrong, Fats Waller, James P. Johnson, and Earl Hines frequented. [4]