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In photography, bokeh (/ ˈ b oʊ k ə / BOH-kə or / ˈ b oʊ k eɪ / BOH-kay; [1] Japanese:) is the aesthetic quality of the blur produced in out-of-focus parts of an image, whether foreground or background or both. It is created by using a wide aperture lens.
A fantasy land of colorful, swirling, psychedelic bubbles provided the perfect backdrop for a Clearasil ad. [8] As Brian Wells explains, "The psychedelic movement has, through the work of artists, designers, and writers, achieved an astonishing degree of cultural diffusion… but, though a great deal of diffusion has taken place, so, too, has a ...
Bubble wrap jacket from Look 43, presented at Lee Alexander McQueen & Ann Ray - Rendez-Vous (2024) In 2008, McQueen asked his friend Nick Waplington , a photographer, if he would be interested in collaborating on a photo book documenting the creation of The Horn of Plenty from beginning to end. [ 32 ]
A soap bubble (commonly referred to as simply a bubble) is an extremely thin film of soap or detergent and water enclosing air that forms a hollow sphere with an iridescent surface. Soap bubbles usually last for only a few seconds before bursting, either on their own or on contact with another object.
A pattern is a regularity in the world, in human-made design, [1] or in abstract ideas. As such, the elements of a pattern repeat in a predictable manner. A geometric pattern is a kind of pattern formed of geometric shapes and typically repeated like a wallpaper design.
[12] [20] The invitation was a black and white photo of a model in a bubble bath whose nude form was only partially obscured by bubbles. [13] McQueen's longtime collaborator Shaun Leane provided jewellery. [21] Joseph Bennett, who had designed all of McQueen's runways since No. 13 (Spring/Summer 1999), returned to handle set design. [22]
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The Death of Graffiti [1] is an acrylic painting by the graffiti artist, Lady Pink. [2] The work was completed in 1982 and measures 19 in by 22 in. [3] Currently, the painting is in the collection of the Museum of the City of New York after being donated in 1994 as part of the Martin Wong Graffiti Collection. [3]