Search results
Results from the WOW.Com Content Network
"Gotta Go" peaked at number two on the Gaon Digital Chart, number one on the Billboard K-Pop Hot 100 and number six on the World Digital Song Sales chart, becoming her most successful single to date and her first top 10 entry on the latter. It was the second most-downloaded, eighth most-streamed and overall the eighth best performing song of ...
The Fast and the Furious: Tokyo Drift (Original Score) was released on June 27 via Varèse Sarabande, a week after Original Motion Picture Soundtrack. It was recorded at Todd-AO Scoring Stage and composed by Brian Tyler .
"Gotta Go", a song by Lynyrd Skynyrd from the 1982 album Best of the Rest "Gotta Go (Can't Wage a War)", a song by Kingdom Come from the 1989 album In Your Face
"Gotta Go" (Korean: 가라고; RR: Garago) is a song recorded by South Korean singer Sunmi for the soundtrack of the web series XX. It was released as a digital single on February 6, 2020 by Vlending Co., Ltd. and PlayList Global .
The song, named after the American singer and actress Barbra Streisand, relies almost entirely on a sample replay of German disco group Boney M.'s 1979 international hit single "Gotta Go Home", [3] which in turn borrows content from the 1973 German song "Hallo Bimmelbahn" by the band Nighttrain (the brothers Heinz and Jürgen Huth and Michael Holm; the hookline was written only by Heinz Huth).
"Gotta Go" is an R&B song written by Trey Songz, Troy Taylor and Marvin Eugene Smith and performed by American R&B singer-songwriter Trey Songz released as the second single from his debut album I Gotta Make It. Released on July 23, 2005 in North America.
The other series was a compilation of short stories and was separated into two volumes, the first being called Dash and Spin, and the other called Super Fast Sonic!!. Characteristics According to various official materials from Sega, Sonic is described as a character who is "like the wind": [ 69 ] a drifter who lives as he wants, [ 70 ] and ...
You Gotta Go There to Come Back features a blues rock styled sound in the mold of early 1970s rock bands, [2] and also displays influences of garage rock and soul. [8] Kelly Jones described the album, with its "very 70s, Stevie Wonder, rock overdub feel", as the fulfillment of his desire to make an album like his favourite soul music: "I was really into soul music - it's not something I'm ...