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Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
Bolet was born in Havana and studied at the Curtis Institute of Music in Philadelphia, where he himself taught from 1939 to 1942.His teachers included Leopold Godowsky, Josef Hofmann, David Saperton, Moriz Rosenthal and Fritz Reiner.
Deh, come invan sospiro; Già piansi nel dolore; Io parto, e non più dissi; Io pur respiro in cosí gran dolore; Mille volte il dí moro; Moro, lasso, al mio duolo O dolce mio tesoro; Quando ridente e bella; Quel 'no' crudel che la mia speme ancise; Resta di darmi noia; Se la mia morte brami; Volan quasi farfalle; Tu piangi, o Filli mia; Tu ...
Sospiri, Op. 70, is an adagio for string orchestra, harp (or piano), and organ (or harmonium) [1] composed by Edward Elgar just before and performed just after the beginning of World War I.
The sense of dum spiro spero can be found in the work of Greek poet Theocritus (3rd Century BC), who wrote: "While there's life there's hope, and only the dead have none." [2] That sentiment seems to have become common by the time of Roman statesman Cicero (106 – 43 BC), who wrote to Atticus: "As in the case of a sick man one says, 'While there is life there is hope' [dum anima est, spes ...
The effect had been prefigured by composers including Francesco Pollini (1762–1846), a pupil of Mozart, whose 32 esercizi for the piano (1829), based on techniques found in the keyboard music of Johann Sebastian Bach and Jean-Philippe Rameau, included music written on three staves, and using interlocking hand positions, to generate the impression of three, or even four, hands.
Liebesträume (German for Dreams of Love) is a set of three solo piano nocturnes (S.541/R.211) by Franz Liszt published in 1850. [1] Originally the three Liebesträume were conceived as lieder after poems by Ludwig Uhland and Ferdinand Freiligrath.
Two Concert Études (Zwei Konzertetüden), S.145, is a set of two piano works composed in Rome around 1862/63 by Franz Liszt and dedicated to Dionys Pruckner, but intended for Sigmund Lebert and Ludwig Stark’s Klavierschule.