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Francis Bacon: Human Presence contains enough variety of works in its climactic sections to account for the stronger and weaker aspects of the later Bacon, while veering thankfully towards the former.
The diarist describes a conversation in the presence of the queen between various famous Elizabethans during which one of the company passes gas: "In ye heat of ye talk it befel yt one did breake wind, yielding an exceding mightie and distresfull stink, whereat all did laugh full sore." The Queen asks about the source and receives various replies.
Francis Bacon, 1st Viscount St Alban, [a] 1st Baron Verulam, PC (/ ˈ b eɪ k ən /; [5] 22 January 1561 – 9 April 1626) was an English philosopher and statesman who served as Attorney General and Lord Chancellor of England under King James I.
Study for a Self-Portrait—Triptych, 1985–86 is a triptych painted between 1985 and 1986 by the Irish-born English artist Francis Bacon. It is a brutally honest examination of the effect of age and time on the human body and spirit and was painted in the aftermath of the deaths of many of his close friends.
The Latin was coined by Sir Francis Bacon in his Novum Organum—one of the earliest treatises arguing the case for the logic and method of modern science. Bacon described them as "Idols which have immigrated into men's minds from the various dogmas of philosophies, and also from wrong laws of demonstration." He named them Idols of the Theater ...
Version No. 2 of Lying Figure with Hypodermic Syringe is a 1968 oil-on-canvas painting by the English artist Francis Bacon.. It is the second of two similarly titled paintings based on nude photographs of his close friend Henrietta Moraes, who is shown in a reclining position on a bed, themselves part of a wider series of collapsed figures on beds that began with the 1963 triptych Lying Figure ...
Here, Deleuze remarks in the final preface of Francis Bacon that Bacon's art is "of a very special violence." [4]: x In saying this, he analyses the content of Bacon's paintings set on fields of color with little visual depth that make "use of spectacles of horror, crucifixions, prostheses and mutilations, monsters." [6]
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