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The Fool in King Lear – The Royal Shakespeare Company writes of the Fool: There is no contemporary parallel for the role of Fool in the court of kings. As Shakespeare conceives it, the Fool is a servant and subject to punishment ('Take heed, sirrah – the whip ' 1:4:104) and yet Lear's relationship with his fool is one of friendship and ...
Ivar Nilsson as the Fool in a 1908 stage production of King Lear at The Royal Dramatic Theatre in Sweden [5]. In his article "The Wisdom of the Fool", Walter Kaiser illustrates that the varied names and words people have attributed to real fools in different societies when put altogether reveal the general characteristics of the wise fool as a literary construct: "empty-headed (μάταιος ...
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The fool is a stock character in creative works (literature, film, etc.) and folklore. There are several distinct, although overlapping, categories of fool: simpleton fool, wise fool, and serendipitous fool. The six volume Motif-Index of Folk-Literature contains (in volume four) a group of motifs under the category "Fools (and other unwise ...
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Personifications are very common elements in allegory, and historians and theorists of personification complain that the two have been too often confused, or discussion of them dominated by allegory. Single images of personifications tend to be titled as an "allegory", arguably incorrectly. [11]
Personifications in mythology and religion (5 C, 2 P) N. Personifications of nature (7 C, 2 P) Pages in category "Personifications" The following 53 pages are in this ...
Momus Criticizes the Gods' Creations, by Maarten van Heemskerck, 1561, Gemäldegalerie, Berlin. Momus (/ ˈ m oʊ m ə s /; Ancient Greek: Μῶμος Momos) in Greek mythology was the personification of satire and mockery, two stories about whom figure among Aesop's Fables.