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Antiphrasis is the rhetorical device of saying the opposite of what is actually meant in such a way that it is obvious what the true intention is. [1] Some authors treat and use antiphrasis just as irony, euphemism or litotes. [2] When the antiphrasal use is very common, the word can become an auto-antonym, [3] having opposite meanings ...
The most common form of oxymoron involves an adjective–noun combination of two words, but they can also be devised in the meaning of sentences or phrases. One classic example of the use of oxymorons in English literature can be found in this example from Shakespeare's Romeo and Juliet, where Romeo strings together thirteen in a row: [11]
Complementary antonyms are word pairs whose meanings are opposite but whose meanings do not lie on a continuous spectrum (push, pull). Relational antonyms are word pairs where opposite makes sense only in the context of the relationship between the two meanings (teacher, pupil). These more restricted meanings may not apply in all scholarly ...
Antithesis (pl.: antitheses; Greek for "setting opposite", from ἀντι-"against" and θέσις "placing") is used in writing or speech either as a proposition that contrasts with or reverses some previously mentioned proposition, or when two opposites are introduced together for contrasting effect.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
However, in British English, the word "fag" can be an inoffensive term used to refer to a cigarette, or, previously, a junior boy who serves a senior boy in a British public school. [7] Likewise, the word "fanny" when used in American English is a euphemism for one's buttocks, so benign that children use it.
Eisegesis (/ ˌ aɪ s ɪ ˈ dʒ iː s ɪ s /) is the process of interpreting text in such a way as to introduce one's own presuppositions, agendas or biases.It is commonly referred to as reading into the text. [1]
Replacing an expected word with another, half rhyming (or a partly sound-alike) word, with an entirely different meaning from what one would expect (cf malapropism, Spoonerism, aphasia). [5] I'm ravished! for "I'm ravenous!" or for "I'm famished!" "They build a horse" instead of they build a house. The strained use of an already existing word ...