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In music, acoustic waveguide methods, such as a large pipe organ or, for reproduction, exotic loudspeaker designs such as transmission line, rotary woofer, or traditional subwoofer designs can produce low-frequency sounds, including near-infrasound. Subwoofers designed to produce infrasound are capable of sound reproduction an octave or more ...
Most rooms have their fundamental resonances in the 20 Hz to 200 Hz region, each frequency being related to one or more of the room's dimensions or a divisor thereof. These resonances affect the low-frequency low-mid-frequency response of a sound system in the room and are one of the biggest obstacles to accurate sound reproduction.
The Sea Train is the name given to a sound recorded on March 5, 1997, on the Equatorial Pacific Ocean autonomous hydrophone array. The sound rises to a quasi-steady frequency. According to the NOAA, the origin of the sound is most likely generated by a very large iceberg grounded in the Ross Sea, near Cape Adare. [10
Industrial-facilities mechanical engineer Steve Kohlhase spent $30,000 on legal fees and equipment related to his independent investigation of the low-frequency hum. [19] Garret Harkawiks' 2019 documentary film Doom Vibrations focused on Kohlhase's ten year journey to figure out what was causing the noise, and his theory behind it. [ 20 ]
Room acoustics is a subfield of acoustics dealing with the behaviour of sound in enclosed or partially-enclosed spaces. The architectural details of a room influences the behaviour of sound waves within it, with the effects varying by frequency.
[79] [80] This noise pollution significantly raises the low-frequency ambient noise levels above those caused by wind. [81] Animals such as whales that depend on sound for communication can be affected by this noise in various ways. Higher ambient noise levels also cause animals to vocalize more loudly, which is called the Lombard effect ...
Psychoacoustic analysis reveals that sound pressure level is a less than ideal predictor of human reception of noise, so efforts have been made since the 1960s [6] [7] to apply loudness metrics instead, which can incorporate other factors such as spectral and temporal auditory masking and level-dependent frequency weighting to more accurately ...
The horizontal axis shows frequency in Hertz. In acoustics, loudness is the subjective perception of sound pressure.More formally, it is defined as the "attribute of auditory sensation in terms of which sounds can be ordered on a scale extending from quiet to loud". [1]