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Heraldry is a discipline relating to the design, display and study of armorial bearings (known as armory), as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. [1] [2] Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement.
Heraldry developed in the high medieval period, based on earlier, "pre-heraldic" or "ante-heraldic", traditions of visual identification by means of seals, field signs, emblems used on coins, etc. Notably, lions that would subsequently appear in 12th-century coats of arms of European nobility have pre-figurations in the animal style of ancient ...
Heraldic eagles can be found throughout world history like in the Achaemenid Empire or in the present Republic of Indonesia. The European post-classical symbolism of the heraldic eagle is connected with the Roman Empire on one hand (especially in the case of the double-headed eagle), and with Saint John the Evangelist on the other.
German heraldry (and with it, Nordic heraldry) does take a distinct approach to divisions of the field, however, in dividing by the scheme of "im (Gemeine Figur)-schnitt (X:Y) (Richtung des Schnitts)," or, "by (common charge)-section (X:Y) (direction of the cut)," where X signifies the number of charges issuant above the cut, and Y signifies ...
A crest is a component of a heraldic display, consisting of the device borne on top of the helm. Originating in the decorative sculptures worn by knights in tournaments and, to a lesser extent, battles, crests became solely pictorial after the 16th century (the era referred to by heraldists as that of "paper heraldry").
A coat of arms is a heraldic visual design [1] on an escutcheon (i.e., shield), surcoat, or tabard (the last two being outer garments). The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto.
In heraldry, the term attitude describes the position in which a figure (animal or human) is emblazoned as a charge, a supporter, or as a crest.The attitude of a heraldic figure always precedes any reference to the tincture of the figure and its parts.
The most famous heraldic flower (particularly in French heraldry) is the fleur-de-lis, which is often stated to be a stylised lily, though despite the name there is considerable debate on this. [ citation needed ] The "natural" lily , somewhat stylised, also occurs, as (together with the fleur-de-lis) in the arms of Eton College .