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The original title of the play in the ancient Greek is Αἴας. Ajax is the romanized version, and Aias is the English transliteration from the original Greek. [2] Proper nouns in Ancient Greek have conventionally been romanized before entering the English language, but it has been common for translations since the end of the 20th century to use direct English transliterations of the ...
A marble relief of a poet, perhaps Sophocles. Sophocles, the son of Sophillus, was a wealthy member of the rural deme (small community) of Hippeios Colonus in Attica, which was to become a setting for one of his plays; and he was probably born there, [2] [8] a few years before the Battle of Marathon in 490 BC: the exact year is unclear, but 497/6 is most likely.
In Sophocles' play Ajax, a famous retelling of Ajax's demise, after the armor is awarded to Odysseus, Ajax feels so insulted that he wants to kill Agamemnon and Menelaus. Athena intervenes and clouds his mind and vision, and he goes to a flock of sheep and slaughters them, imagining they are the Achaean leaders, including Odysseus and Agamemnon.
Eurysaces (Ancient Greek: Εὐρυσάκης) in Greek mythology was the son of the Ajax and the enslaved former Teuthranian princess Tecmessa. He was venerated in Athens. Eurysaces was named after his father's famous shield. In Sophocles' tragedy Ajax, the protagonist hands the shield to his young son before committing suicide.
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He is perhaps best remembered for his commentaries aimed at students on Homer's Odyssey, Aristophanes' Frogs, and Sophocles' Ajax. In 1965, Stanford gave the Sather Lectures at the University of California, Berkeley, on the topic of the pronunciation of Ancient Greek. The lectures were revised into a book published in 1967.
Odysseus figures centrally or indirectly in a number of the extant plays by Aeschylus, Sophocles (Ajax, Philoctetes) and Euripides (Hecuba, Rhesus, Cyclops) and figured in still more that have not survived. In his Ajax, Sophocles portrays Odysseus as a modern voice of reasoning compared to the title character's rigid antiquity.
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