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The loudness war (or loudness race) is a trend of increasing audio levels in recorded music, which reduces audio fidelity and—according to many critics—listener enjoyment. Increasing loudness was first reported as early as the 1940s, with respect to mastering practices for 7-inch singles . [ 1 ]
A noisemaker is something intended to make a loud noise, usually for fun. Instruments or devices commonly considered "noisemakers" include: pea whistles; air horns, composed of a pressurized air source coupled to a horn, designed to create an extremely loud noise; fireworks, such as firecrackers, bottle rockets, bang snaps and others
The horizontal axis shows frequency in Hertz. In acoustics, loudness is the subjective perception of sound pressure.More formally, it is defined as the "attribute of auditory sensation in terms of which sounds can be ordered on a scale extending from quiet to loud". [1]
A sound reinforcement system for a rock concert in a stadium may be very complex, including hundreds of microphones, complex live sound mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians.
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
An audio leveler performs an audio process similar to compression, which is used to reduce the dynamic range of a signal, so that the quietest portion of the signal is loud enough to hear and the loudest portion is not too loud.
Dynamic range compression (DRC) or simply compression is an audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or compressing an audio signal's dynamic range.
James Charles Marshall OBE (29 July 1923 – 5 April 2012) known as The Father of Loud [3] or The Lord of Loud, [4] was an English businessman and pioneer of guitar amplification. His company, Marshall Amplification , founded in 1962, has created equipment that is used by some of the biggest names in rock music, producing amplifiers with an ...
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