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Anonymous: Map of Nagasaki, 1821 (published by Bunkindô) Nagasaki-e (Japanese: 長崎絵) is a genre of ukiyo-e woodblock prints, produced in Nagasaki during the Edo period, that depict the port city of Nagasaki, the Dutch and Chinese who frequented it, and other foreign curiosities such as exotic fauna and Dutch and Chinese ships.
Thirty-six Views of Mount Fuji (Japanese: 富士三十六景, Hepburn: Fuji Sanjū-Rokkei) is the title of two series of woodblock prints by Japanese ukiyo-e artist Hiroshige, depicting Mount Fuji in differing seasons and weather conditions from a variety of different places and distances.
Kanae Yamamoto's "Fisherman" (1904). Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. . It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizur
woodblock prints co-founder of the Japan Youth Painting Society Takahashi Shōtei (高橋松亭), born Hiroaki (1871 – 11 February 1945) was a 20th-century Japanese woodblock artist in the shinsaku-hanga and later shin-hanga art movements.
Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period (1603–1868).
Insects and pests can destroy woodblock prints by eating through the paper or leaving droppings that stain the paper. A common cause of holes in Japanese woodblock prints is the deathwatch beetle (Xestobium rufovillosum). These beetles were commonly found in wood used to build furniture in the Edo period. Woodblock prints that were stored on ...
Ogata Gekkō (尾形月耕, 1859 – 1 October 1920) was a Japanese artist best known as a painter and a designer of ukiyo-e woodblock prints.He was self-taught in art, and won numerous national and international prizes and was one of the earliest Japanese artists to win an international audience.
Goyō Hashiguchi (橋口 五葉, Hashiguchi Goyō, December 21, 1880 – February 24, 1921) was a Japanese artist. At the forefront of the shin-hanga ("new prints") movement, a revival of ukiyo-e , he designed fourteen woodblock prints which are regarded as masterpieces of the genre.
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