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The MPC was designed by Roger Linn (pictured in 2010), who also created the LinnDrum.. By the late 1980s, drum machines had become popular for creating beats and loops without instrumentalists, and hip hop artists were using samplers to take portions of existing recordings and create new compositions. [1]
Virtual influencers (2 C, 22 P) Pages in category "Animated musical groups" The following 89 pages are in this category, out of 89 total.
Virtual band Gorillaz performing live in 2018. In entertainment, a virtual band (also called a virtual idol, virtual singer, virtual group, cartoon group, cartoon idol, cartoon singer or cartoon band) is a band or music group whose depicted members are not people, but animated characters or virtual avatars.
The AdrenaLinn is a digital multi-effects unit with a drum machine and amp modeler all in one, designed by Roger Linn with some help from Dave Smith (credited with helping to conceive MIDI) and Tom Oberheim (designer of early analog synthesizers). Most notably, unlike other guitar pedals, the AdrenaLinn specializes in beat-synced effects ...
Technicolor Group S.A. (formerly Technicolor Creative Studios, Technicolor SA, and Thomson Multimedia) is a French company that is involved in visual effects, motion graphics and animation services for the entertainment, media and advertising industries.
The LinnDrum, also often incorrectly referred to as the LM-2, [1] is a drum machine manufactured by Linn Electronics between 1982 and 1985. About 5,000 units were sold. About 5,000 units were sold. [ 2 ] [ 3 ]
Centered at Westview High School, influenced by Batiuk's alma mater of Midview High School near Grafton, Ohio, [3] the strip initially focused on several students: Funky Winkerbean, Crazy Harry Klinghorn, Barry Balderman, "Bull" Bushka, Cindy Summers, Junebug, Roland, Livinia, Leslie P. "Les" Moore, majorette Holly Budd (daughter of Melinda Budd, original majorette for Westview High), and Lisa ...
The LM-1 was designed by the American engineer and guitarist Roger Linn in the late 1970s. [1] Linn was dissatisfied with drum machines available at the time, such as the Roland CR-78, and wanted a machine that did not simply play preset patterns and "sound like crickets".