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Sonata Theory understands the rhetorical layout of a sonata as progressing through a set of action spaces and moments of "structural punctuation." [8] These action spaces largely correlate with the "themes" or "groups" of the sonata, though each space is differentiated primarily by the unique generic goal that the music pursues within that particular space.
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James Arnold Hepokoski was born on 20 December 1946 in Duluth, Minnesota. [1] He earned his master's degree and PhD in Music History from Harvard University, studying with David G. Hughes, John M. Ward, Oliver Strunk and Christoph Wolff, earning his doctorate in 1979 with a dissertation on Giuseppe Verdi's Falstaff. [1]
Portrait of composer C.P.E. Bach. The older Italian sonata form differs considerably from the later sonata in the works of the Viennese Classical masters. [1] Between the two main types, the older Italian and the more "modern" Viennese sonata, various transitional types are manifest in the middle of the 18th century, in the works of the Mannheim composers, Johann Stamitz, Franz Xaver Richter ...
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In music, a sonata (/ s ə ˈ n ɑː t ə /; pl. sonate) [a] literally means a piece played as opposed to a cantata (Latin and Italian cantare, "to sing"), a piece sung. [1]: 17 The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance.
Susan Riley, of School Library Journal, reviewed the book saying, "Bunting, long a favorite of teen thrill seekers, has produced another winner in this well-written story of acute loneliness, alienation, romance, the occult, hope, and tragedy.
Sir Donald Francis Tovey's Essays in Musical Analysis [1] [2] are a series of analytical essays on classical music.The essays came into existence as programme notes, written by Tovey, to accompany concerts given (mostly under his own baton) by the Reid Orchestra in Edinburgh.