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It included realistic – sometimes sordid or violent – depictions of contemporary everyday life, especially the life of the lower classes. In France in addition to melodramas , popular and bourgeois theater in the mid-century turned to realism in the "well-made" bourgeois farces of Eugène Marin Labiche and the moral dramas of Émile Augier .
The Tale of Genji by Lady Murasaki, written in 11th-century Japan, was considered by Jorge Luis Borges to be a psychological novel. [4] French theorists Gilles Deleuze and Félix Guattari, in A Thousand Plateaus, evaluated the 12th-century Arthurian author Chrétien de Troyes' Lancelot, the Knight of the Cart and Perceval, the Story of the Grail as early examples of the style of the ...
Dante Meditating on the Divine Comedy.Jean-Jacques Feuchère, 1843. Literary fiction, mainstream fiction, non-genre fiction, serious fiction, [1] high literature, [2] artistic literature, [2] and sometimes just literature, [2] are labels that, in the book trade, refer to market novels that do not fit neatly into an established genre (see genre fiction) or, otherwise, refer to novels that are ...
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Since the history of writing predates the concept of the "text", most texts were not written with this concept in mind. Most written works fall within a narrow range of the types described by text theory. The concept of "text" becomes relevant if and when a "coherent written message is completed and needs to be referred to independently of the ...
To promote the willing suspension of disbelief, a fictional text needed to have credibility. Anything physically possible in the worldview of the reader or humanity's experience was defined as credible. Through verisimilitude then, the reader was able to glean truth even in fiction because it would reflect realistic aspects of human life.
As a result, ethnography is also sometimes seen as a genre of writing, one used to describe patterns of human social interaction in particular contexts. [ 1 ] Within the context of ethnography, the term 'realism' is often used to refer to the assumptions that some kinds of ethnographic work make about the phenomena to be investigated, and how ...
Ibsen's realistic drama in prose has been "enormously influential." [1] It developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. These conventions occur in the text, (set, costume, sound, and lighting) design, performance style, and narrative structure.
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