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The most famous paintings, especially old master works created before 1803, are generally owned or held by museums for viewing by patrons. Since museums rarely sell them, they are considered priceless. Guinness World Records lists Leonardo da Vinci's Mona Lisa as having the highest insurance value for a painting.
Some 750 paintings, or 40 percent of the entire collection, are exhibited in the gallery. They date from the 15th to the 18th centuries. Paintings from the 19th century onwards are displayed in the New Masters Gallery (Gemäldegalerie Neue Meister) in the Albertinum.
Print/export Download as PDF; Printable version; In other projects Wikimedia Commons; ... 18th-century painting stubs (344 P) Pages in category "18th-century paintings"
William Hogarth FRSA (/ ˈ h oʊ ɡ ɑːr θ /; 10 November 1697 – 26 October 1764) was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art.
The next generation, between the 18th and 19th centuries, is that of the neoclassicists: Jacques-Louis David, considered the father of French Neoclassicism, a painter of historical paintings in a sober style, produced some etchings with a caricatured tone (English Government, 1793-1794; The Army of Jars, 1793-1794); [12] Pierre-Paul Prud'hon, who sporadically practiced printmaking, in intaglio ...
A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. [1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735. [ 2 ]
The two prints were issued a month after Hogarth's friend Henry Fielding published his contribution to the debate on gin: An Inquiry into the Late Increase in Robbers, and they aim at the same targets, though Hogarth's work lays more blame for the gin craze on oppression by the governing class and focuses less on the choice of crime as a ticket to a life of ease.
The latter half of the 18th century continued to see French preeminence in Europe, particularly through the arts and sciences, and the French language was the lingua franca of the European courts. The French academic system continued to produce artists, but some, like Jean-Honoré Fragonard and Jean-Baptiste-Siméon Chardin , explored new and ...