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In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
Essentially contested concept refers to abstract terms or phrases that provide value judgements which can be contested. The term essentially contested concept was proposed to facilitate an understanding of the different interpretations of abstractions that have qualitative and evaluative notions [ 1 ] —such as " art ", " philanthropy ", [ 2 ...
An object can mediate messages between time or space or both between people who are not together. A work of art, for example, can transfer a message from the creator to the viewer and share an image, a feeling, or an experience. [10] Material can contain memories and mutual experiences across time and influence thoughts and feelings.
Visual sociology also requires the development of new forms—for example, data driven computer graphics to represent complex relationships e.g., changing social networks over time, the primitive accumulation of capital, the flow of labor, relations between theory and practice.
The sociology of culture grew from the intersection between sociology, as shaped by early theorists like Marx, Durkheim, and Weber, and anthropology where researchers pioneered ethnographic strategies for describing and analyzing a variety of cultures around the world. Part of the legacy of the early development of the field is still felt in ...
Exoticism (from exotic) is a trend in art and design where creators become fascinated with ideas and styles from distant regions and draw inspiration from them. This often involves surrounding foreign cultures with mystique and fantasy which owe more to the culture of the people doing the exoticism than to the exotic cultures themselves: this ...
For example, a Marxist aesthetic may be latent in Brecht's work, but he formulated his own distinct theory of art and its social purpose. One of the chief concerns of Marxist aesthetics is to unite Marx and Engels’ social and economic theory, or theory of the social base, to the domain of art and culture, the superstructure.
The Gift has been very influential in anthropology, [3] where there is a large field of study devoted to reciprocity and exchange. [4] It has also influenced philosophers, artists, and political activists, including Georges Bataille, Jacques Derrida, Jean Baudrillard, and more recently the work of David Graeber and the theologians John Milbank and Jean-Luc Marion.