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Bob Todd (1921–1992) (1) makes an unaccredited 'gag' appearance in Again Doctor. He also appeared in the 1970 Carry On Again Christmas TV special. Nikki van der Zyl (1935–2021) (2) was one of British cinema's most prolific voice-over artistes, dubbing many of the original Bond girls (including Shirley Eaton in Goldfinger). She appears ...
Carry On Again Doctor is a 1969 British comedy film, the 18th release in the series of 31 Carry On films (1958–1992). [1] It was released in December 1969 and was the third to feature a medical theme. [ 1 ]
Carry On Girls had a six-week shooting schedule which started on 16 April 1973 on location in Brighton. [96] Gerald Thomas was eager to cast Kenneth Williams, but Williams turned the role down owing to theatre commitments. To accommodate him, Thomas trimmed the role down to entice Williams to join the cast, but he again refused.
Carry On is a British comedy franchise comprising 31 films, four Christmas specials, a television series and stage shows produced between 1958 and 1992. Produced by Peter Rogers, the Carry On films were directed by Gerald Thomas and starred a regular ensemble that included Sid James, Kenneth Williams, Charles Hawtrey, Joan Sims, Kenneth Connor, Peter Butterworth, Hattie Jacques, Terry Scott ...
Sofia Carson is marveling at Jason Bateman's work in their Netflix action-thriller Carry-On.. In a new digital cover interview with PEOPLE, the 31-year-old actress says "it's extraordinary to see ...
Valerie Therese Leon (born 12 November 1943) is an English actress and model who has had roles in many film and television productions, including six of the Carry On film series and two James Bond films, The Spy Who Loved Me (1977) and Never Say Never Again (1983) alongside Roger Moore and Sean Connery, respectively.
“Carry-On” has entered Netflix’s most popular English-language films list. The action thriller reached the fifth spot Tuesday with 149.5 million views since its release a month ago ...
Watching “Carry-On” on Netflix, you may actually take some pleasure in its preposterousness, which leaves ample room — in the form of long dialogue-free stretches, where Lorne Balfe’s ...