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It is the fourth book published in Clavell's Asian Saga and is chronologically the fifth book in the series. The "Noble House" in the title is the nickname of Struan's, the trading company first introduced in Clavell's Tai-Pan. The novel is over a thousand pages long, and contains dozens of characters and numerous intermingling plot lines.
Shull's book Market Mind Games: a Radical Psychology of Investing, Trading and Risk (2012) [9] was translated into Chinese in 2013. She served as the lead author of the chapter on trading psychology in Investor Behavior: The Psychology of Financial Planning and Investing (Wiley, 2014).
James Clavell's Shōgun is an interactive fiction game written by Dave Lebling and published by Infocom in 1989. It was released for the Amiga , Apple II , MS-DOS , and Mac . The game is based on the 1975 novel Shōgun by James Clavell .
The song "Mind Games", with its "love is the answer" refrain and call to "make love not war", recalls Lennon's work with the Beatles in 1967. [25] He started writing the track during the band's Get Back sessions, in early 1969, with the title "Make Love, Not War". Lennon finished it after reading the book Mind Games: The Guide to Inner Space.
Dirk Lochlin Struan (1797–1841) is the fictional main character of James Clavell's 1966 novel Tai-Pan.The title comes from a Cantonese term that Clavell loosely translates as "supreme leader", and Struan is the Tai-pan or head of his own trading company in China, Struan & Company.
Neil Gaiman is an admirer of James, especially his novel Votan, which provided one model for American Gods, calling it “I think probably the best book ever done about the Norse”. [3] James's skilful evocation of life and myths of Dark Age Europe also won him the admiration of neo-pagan authors John and Caitlin Matthews.
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In intimate relationships, mind games can be used to undermine one partner's belief in the validity of their own perceptions. [5] Personal experience may be denied and driven from memory, [6] and such abusive mind games may extend to the denial of the victim's reality, social undermining, and downplaying the importance of the other partner's concerns or perceptions. [7]