Search results
Results from the WOW.Com Content Network
The twin brothers were born to Arthur Boulting and his wife Rosetta (Rose) née Bennett in Bray, Berkshire, England, on 21 December [2] 1913. John was the elder by half an hour. John was named Joseph Edward John Boulting and Roy was named Alfred Fitzroy Clarence Boulting.
This page was last edited on 24 December 2023, at 18:34 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The Guinea Pig is a 1948 British film directed and produced by the Boulting brothers, known as The Outsider in the United States. The film is adapted from the 1946 play of the same name by Warren Chetham-Strode .
Seagulls Over Sorrento is a 1954 British war drama film made by the Boulting brothers based on the play of the same name by Hugh Hastings. The film stars Gene Kelly and was one of three made by Kelly in Europe over an 18-month period to make use of frozen MGM funds. The cast features John Justin, Bernard Lee and Jeff Richards.
Roy Boulting was to direct and John Boulting produce. Jeffrey Dell and Bernard Miles (himself a member of the original cast) adapted the screenplay. Several of the stage actors reprised their roles, including Michael Redgrave as Charleston, Frederick Valk as Dr. Kurtz, and Barbara Mullen (a later addition to the cast) as Miss Kirby.
He says the Boulting Brothers and Launder and Gilliat, then on the Board of British Lion "were adamant that drastic changes had to be made. They insisted that the director be replaced together with the leading lady and that the Boultings take over the rescripting and reshooting with Hayley Mills, then Roy Boulting’s wife, recast as the female ...
Heavens Above! is a 1963 British satirical comedy film directed and produced by John and Roy Boulting, and starring Peter Sellers. It was written by John Boulting and Frank Harvey, from an idea by Malcolm Muggeridge. [1]
The Monthly Film Bulletin wrote: "For once, the familiar Boulting Brothers' formula of uninhibited contemporary satire has placed itself in an extremely invidious position. Jokes about colonial administration, U.N. efforts to quell local revolutions, and American and Russian spheres of influence, have uncomfortable topical parallels; even if ...