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Museum of Modern Art: Study of a foot: c. 1909 Bronze: 30 cm St. Petersburg Hermitage [7] [a] The Back II: 1913 Bronze: New York City Museum of Modern Art [a] The Back III: 1916 Bronze: New York City Museum of Modern Art: Henriette II: Henriette II: 1927 Bronze 32.1 cm Ottawa: National Gallery of Canada [8] Henriette III: Henriette III: 1929 ...
Henri Matisse: The Cut-Outs was exhibited at London's Tate Modern, from April to September 2014. [86] The show was the largest and most extensive of the cut-outs ever mounted, including approximately 100 paper maquettes—borrowed from international public and private collections—as well as a selection of related drawings, prints, illustrated ...
New York, Museum of Modern Art The Boat (French: Le Bateau ) is a paper-cut from 1953 by Henri Matisse . The picture is composed from pieces of paper cut out of sheets painted with gouache , and was created during the last years of Matisse's life.
In March 1909, Matisse painted a preliminary version of this work, known as Dance (I). [3] It was a compositional study and uses paler colors and less detail. [4] The painting was highly regarded by the artist who once called it "the overpowering climax of luminosity"; it is also featured in the background of Matisse's Nasturtiums with the Painting "Dance I", (1912).
Metropolitan Museum of Art curator-at-large Dr. Denise Murrell stands near Henri Matisse's "Woman in White." The Des Moines Art Center has plenty of interesting works in its permanent collection.
The Red Studio (French: L'Atelier Rouge) is an oil on canvas painting by French artist Henri Matisse from 1911. It is held in the collection of the Museum of Modern Art, in New York.
File:Henri Matisse, 1909, La danse (I), Museum of Modern Art.jpg File:Henri Matisse, 1909, Nude with a White Scarf, oil on canvas, 116.5 x 89 cm, Statens Museum for Kunst, Copenhagen.jpg File:Henri Matisse, 1909, Still Life with Dance, oil on canvas, 89.5 x 117.5 cm, Hermitage Museum, Saint Petersburg.jpg
Woman on a High Stool (French: Femme au tabouret or La femme assise) is an oil painting on canvas by the French artist Henri Matisse from early 1914. It is held in the Museum of Modern Art, in New York. It is a portrait of Germaine Raynal, the wife of the poet and art critic Maurice Raynal.
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