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In photography, stops are also a unit used to quantify ratios of light or exposure, with each added stop meaning a factor of two, and each subtracted stop meaning a factor of one-half. The one-stop unit is also known as the EV (exposure value) unit. On a camera, the aperture setting is traditionally adjusted in discrete steps, known as f-stops.
The f-number (relative aperture) determines the depth of field, and the shutter speed (exposure time) determines the amount of motion blur, as illustrated by the two images at the right (and at long exposure times, as a second-order effect, the light-sensitive medium may exhibit reciprocity failure, which is a change of light sensitivity ...
For example, the photographer may prefer to make his sunny-16 shot at an aperture of f /5.6 (to obtain a shallow depth of field). As f /5.6 is 3 stops "faster" than f /16, with each stop meaning double the amount of light, a new shutter speed of (1/125)/(2·2·2) = 1/1000 s is needed. Once the photographer has determined the exposure, aperture ...
Diagram of decreasing apertures with conversely increasing f-numbers, in one-stop increments; each aperture has half the light-gathering area of the previous one. It is akin, says the photographer Douglas Peebles , in its simplicity and obviousness to the advice "if you want to be famous for photographing famous people, begin by photographing ...
Depth of field changes linearly with f-number and circle of confusion, but changes in proportion to the square of the distance to the subject and inversely in proportion to the square of the focal length. As a result, photos taken at extremely close range (i.e., so small u) have a proportionally much smaller depth of field.
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A high fidelity computer file format for handling digital images that does not sacrifice colour and form detail in the way that 'lossy' compression formats such as GIF, JPEG and PNG do. [8] TLR: Twin-lens reflex. A camera with two lenses, one for taking pictures and one for viewing the scene.
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