Search results
Results from the WOW.Com Content Network
35 mm equivalent focal lengths are calculated by multiplying the actual focal length of the lens by the crop factor of the sensor. Typical crop factors are 1.26× – 1.29× for Canon (1.35× for Sigma "H") APS-H format, 1.5× for Nikon APS-C ("DX") format (also used by Sony, Pentax, Fuji, Samsung and others), 1.6× for Canon APS-C format, 2× for Micro Four Thirds format, 2.7× for 1-inch ...
That distance is sometimes given on the filter in millimeters. A +3 close-up lens has a maximal working distance of 0.333 m or 333 mm. The magnification is the focal distance of the objective lens (f) divided by the focal distance of the close-up lens; i.e., the focal distance of the objective lens (in meters) multiplied by the diopter value (D) of the close-up lens:
For full-frame 35 mm-format cameras, the diagonal is 43 mm and a typical "normal" lens has a 50 mm focal length. A lens with a focal length shorter than normal is often referred to as a wide-angle lens (typically 35 mm and less, for 35 mm-format cameras), while a lens significantly longer than normal may be referred to as a telephoto lens ...
Stepwise magnification by 6% per frame into a 39-megapixel image. In the final frame, at about 170x, an image of a bystander is seen reflected in the man's cornea. Magnification is the process of enlarging the apparent size, not physical size, of something. This enlargement is quantified by a size ratio called optical magnification.
Prime lens - a photographic lens whose focal length is fixed, as opposed to a zoom lens, or that is the primary lens in a combination lens system. Zoom lenses - variable focal length lenses. Zoom lenses cover a range of focal lengths by utilising movable elements within the barrel of the lens assembly.
However, this specification is insufficient to compare lenses for different cameras, because field of view also depends on sensor size. For example, a 50 mm lens mounted on a Nikon D3 (a full-frame camera) provides approximately the same field of view as a 32 mm lens mounted on a Sony α100 (an APS-C camera). Conversely, the same lens can ...
This list covers optical lens designs grouped by tasks or overall type. The field of optical lens designing has many variables including the function the lens or group of lenses have to perform, the limits of optical glass because of the index of refraction and dispersion properties, and design constraints including realistic lens element center and edge thicknesses, minimum and maximum air ...
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...