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Raga Bhairavi is often referred to as the queen of morning Ragas. It produces a rich, devotional atmosphere especially suitable for the genres of Bhajan and the light classical form of Thumri. The Rishabh and Dhaivat used here are oscillating which is strongly recommended in this Raga and it makes the Raag mood intense. [2]
Traditionally it is a morning raga. It is one of the most important ragas of the Bhairav anga. [1] This raga is not be confused with the Natabhairavi, the 20th Melakarta of Carnatic Music. [citation needed] Sarasangi, which is the 27th Melakarta in Carnatic music, has the same scale as the Nat Bhairav in Hindustani music.
Bhajan refers to any devotional song with a religious theme or spiritual ideas, specifically among Dharmic religions, in any language. [1] The term bhajanam ( Sanskrit : भजनम्) means reverence and originates from the root word bhaj (Sanskrit: भज्), which means to revere , as in 'Bhaja Govindam' ( Revere Govinda ) .
Hari Om Sharan (26 September 1932 – 18 December 2007) was an Indian Hindu devotional singer and lyricist. Most of his career was dedicated to singing devotional songs in praise of Sita, Rama, and Hanuman.
They are prātaḥ-kālaḥ (early morning), pūrvahna (forenoon), madhyāhna (around noon), aparāhna (afternoon), sāyāhna (evening). As per Hindu traditional calendar, the day [ note 1 ] which starts with sunrise (i.e. from midnight of previous night until sunrise is considered part of previous day).
Her repertoire covers pure classical, Khyals, Dadras, Thumris, Bhajans and several other forms of Indian music. She is the recipient of 2005 BBC Radio 3 Awards for World Music in the Asia-Pacific category. She is the daughter of noted Hindustani classical vocalist, Ajoy Chakraborty. Kaushiki is also a trained Carnatic classical vocalist.
Ahir Bhairav is a Hindustani classical raga.It is a mixture of Bhairav and the ancient, rare raga Ahiri or Abhiri, [1] or perhaps a mixture of Bhairav and Kafi. [2]Important traditional Compositions
A bhajan is freer, and can be a single melody performed by a single singer with or without musical instruments. Kirtan , in contrast, is generally a group performance, typically with a call and response or antiphonal musical structure, similar to an intimate conversation or gentle sharing of ideas.