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Confucius himself is a recurring character in the text—sometimes engaging in invented debates with Laozi, where Confucius is consistently portrayed as being the less authoritative, junior figure of the two. In some appearances, Confucius is subjected to mockery and made "the butt of many jokes", while in others he is treated with unambiguous ...
[citation needed] The same word shi later became a generic term for poetry. [1] In English, lacking an exact equivalent for the Chinese, the translation of the word shi in this regard is generally as "poem", "song", or "ode". Before its elevation as a canonical classic, the Classic of Poetry (Shi jing) was known as the Three Hundred Songs or ...
It is attributed to a conversation between Confucius and his disciple Zengzi. A 12th-century author named He Yin claimed: "The Classic of Filial Piety was not made by Zengzi himself. When he retired from his conversation (or conversations) with Kung-ne on the subject of Filial Piety, he repeated to the disciples of his own school what (the ...
The quotation is from Chapter 64 of the Tao Te Ching ascribed to Laozi, [1] although it is also erroneously ascribed to his contemporary Confucius. [2] This saying teaches that even the longest and most difficult ventures have a starting point; something which begins with one first step.
Confucius's moral system was based upon empathy and understanding others, rather than divinely ordained rules. To develop one's spontaneous responses of rén so that these could guide action intuitively was even better than living by the rules of yì. Confucius asserts that virtue is a mean between extremes.
Confucius judged a good ruler by his possession of de ('virtue'): a sort of moral force that allows those in power to rule and gain the loyalty of others without the need for physical coercion (§2.1). Confucius said that one of the most important ways that a ruler cultivates his sense of de is through a devotion to the correct practices of li.
A historical record of the State of Lu, Confucius's native state, 722–481 BC attributed to Confucius. The Classic of Music is sometimes considered the sixth classic but was lost. Up to the Western Han, authors would typically list the Classics in the order Poems-Documents-Rituals-Changes-Spring and Autumn.
Title page of The Twenty-four Filial Exemplars from an early Ming dynasty printed edition Pages from a Chinese-English translated version of the book. Some of the stories in The Twenty-four Filial Exemplars were taken from other texts such as the Xiaozi Zhuan (孝子傳), Yiwen Leiju, Imperial Readings of the Taiping Era and In Search of the Supernatural.