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Giorgio Morandi (July 20, 1890 – June 18, 1964) was an Italian painter and printmaker widely known for his subtly muted still-life paintings of ceramic vessels, flowers, and landscapes—their quiet, meditative quality reflecting the artist's rejection of the tumult of modern life.
The Museo d'Arte Moderna di Bologna or MAMbo is a purpose-designed modern and experimental art museum in Bologna, Italy — and which includes The Museo Morandi , a collection of more than 250 works works by noted painter, Giorgio Morandi (1890–1964).
This provision shall not apply to photographs of writings, documents, business papers, material objects, technical drawings and similar products (Art. 87). Italian law makes an important distinction between "works of photographic art" and "simple photographs" (Art. 2, § 7).
Pier Giorgio Morandi (born 1958) is an Italian oboist and conductor, especially of Italian opera of the 19th and early 20th century, who has worked internationally. After having played as principal oboe at La Scala in Milan, he turned to conducting, holding positions at the Teatro dell'Opera di Roma, the Hungarian State Opera House in Budapest, Royal Swedish Opera and Croatian National Theatre ...
Euler's Tonnetz. The Tonnetz originally appeared in Leonhard Euler's 1739 Tentamen novae theoriae musicae ex certissismis harmoniae principiis dilucide expositae.Euler's Tonnetz, pictured at left, shows the triadic relationships of the perfect fifth and the major third: at the top of the image is the note F, and to the left underneath is C (a perfect fifth above F), and to the right is A (a ...
The painter Domenic Vignola is one advocate of this approach. These artists use the term Tonal Impressionism to describe an approach by which they paint the figure without drawing, that is without using the brush or charcoal to draw the outlines of the figure or subject in on the canvas. Instead they see the masses as light and dark tones.
The Ideal City stored in Urbino (Galleria Nazionale delle Marche) was formerly attributed to Piero della Francesca, [9] [10] then to Luciano Laurana, Francesco di Giorgio Martini or Melozzo da Forlì. [1] [11] It shows a religious central-plan building in the middle of a square. The center of its door is the vanishing point of the painting.
Melodies can be based on a diatonic scale and maintain its tonal characteristics but contain many accidentals, up to all twelve tones of the chromatic scale, such as the opening of Henry Purcell's "Thy Hand, Belinda" from Dido and Aeneas (1689) with figured bass), which features eleven of twelve pitches while chromatically descending by half steps, [1] the missing pitch being sung later.
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