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The Group of Aphrodite, Pan and Eros (Greek: Αφροδίτη, Παν και Έρως) is an ancient marble Greek sculpture of the first century BC depicting the goat-legged god Pan trying to woo Aphrodite, the goddess of love and desire, unsuccessfully.
The festival occurred during the month of Hekatombaion, which modern scholars recognize as starting from the third week in July to the third week of August on the Gregorian calendar. [1] Aphrodite was worshipped in most towns of Cyprus, as well as in Cythera , Sparta , Thebes , Delos , and Elis , and her most ancient temple was at Paphos .
She was a distinctive local goddess who became, by interpretatio graeca, identified with the Greek Aphrodite. Her canonical image, typical of Anatolian cult images, shows that she is related to the Lady of Ephesus , [ 25 ] widely venerated in the Greco-Roman world as Artemis of Ephesus .
In early Greek art, Eros and Himeros are both shown as idealized handsome youths with wings. [133] The Greek lyric poets regarded the power of Eros and Himeros as dangerous, compulsive, and impossible for anyone to resist. [134] In modern times, Eros is often seen as Aphrodite's son, [135] but this is actually a comparatively late innovation. [136]
This type of statues ultimately derives from a lost Greek original of the third century BC which was attributed to a sculptor named Doedalsas of Bithynia (a region in northwest Anatolia). [ 2 ] [ 3 ] Typically, a Crouching Venus will show the goddess kneeling after bathing, looking at her right after being alarmed, usually trying to conceal her ...
Since the statue's discovery, it has become one of the most famous works of ancient Greek sculpture in the world. The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus. Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is ...
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