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The central and centered motif is the young Virgin Mary seated with Baby Jesus on her lap. [b] Depicted in sumptuous clothes and jewellery, with her left hand Mary holds a carnation (red, suggesting blood and the Passion). The faces are put into light while all other objects are darker, e.g. the flower is covered by a shadow.
The Salus Populi Romani icon, overpainted in the 13th century, but going back to an underlying original dated to the 5th or 6th century Madonna and Child by Filippo Lippi (15th century) In Christian art, a Madonna (Italian:) is a religious depiction of the Blessed Virgin Mary in a singular form or sometimes accompanied by the Child Jesus.
The painting depicts the Virgin Mary seated on a high pedestal in luxurious robes, holding a large baby Jesus on her lap. Six angels crowded together on the Madonna's right adore the Christ-child. In the lower right-hand corner of the painting is an enigmatic scene, with a row of marble columns and the emaciated figure of St. Jerome. A ...
The iconography of the Madonna with the infant Jesus is one of the most recurrent themes throughout art history.Its origin goes back to the hieratic representations of the High Middle Ages where Mary, crowned, enthroned or standing, presents the divine infant in her arms.
The Nursing Madonna, Virgo Lactans, or Madonna Lactans, is an iconography of the Madonna and Child in which the Virgin Mary is shown breastfeeding the infant Jesus. In Italian it is called the Madonna del Latte ("Madonna of milk").
The Baby Jesus is not semi-nude, as he is in Umbrian and Tuscan depictions contemporary with this painting. Instead, he has the clothing of a "little redeemer", with a rich dalmatic and a pallium that come perhaps from the influence of Byzantine mosaics in Rome. To the sides, angels capture and direct the viewer's gaze.
In this style, the Madonna symbolizes the Christian church and Jesus life, truth, and the proper way. The Madonna is depicted in three-quarters profile, while Jesus looks straight ahead. The throne is depicted from an innovative frontal view, with a large gap at the center and seen in perspective, which gives it a sense of three dimensions ...
The Canigiani Holy Family or Canigiani Madonna is an oil-on-wood painting by the Italian High Renaissance artist Raphael, executed circa 1507–1508. [1] It shows mainly (l.t.r.) Elisabeth with baby John the Baptist, Joseph and Mary with infant baby Jesus. These figures of the New Testament maintain eye contact.
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