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The Madonna with the Long Neck (Italian: Madonna dal collo lungo), also known as Madonna and Long Child with Angels and St. Jerome, is an Italian Mannerist oil painting by Parmigianino, dating from c. 1535-1540 and depicting Madonna and Child with angels.
Parmigianino authorized him to collect the 50 gold scudi from Bonifazio Gozzadini for the Madonna with St. John the Baptist and St. Zacharias. In 1534, it was decided that the Madonna dal collo lungo (the Madonna with the Long Neck) would hang in the chapel of the family of Elena Baiardi.
The earliest surviving document, a deed for 50 scudi (compared to 33 scudi for the Madonna of the Long Neck) sworn by notary Andrea Ceroti of Parma on 27 October 1533 and sent to Gozzadini, is probably for the sale of the already-completed painting not the original commission. These 50 scudi were never paid, since - as shown by two powers of ...
In Parmigianino's Madonna with the Long Neck (1534–1540), Mannerism makes itself known by elongated proportions, highly stylized poses, and lack of clear perspective. Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the ...
Madonna with the Long Neck; R. Madonna of the Rose (Parmigianino) S. Santa Margherita Madonna; Sanvitale Madonna and Child; V. Virgin and Child (Parmigianino)
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The Vision of Saint Jerome of The Madonna and Child with Saints is a painting by the Italian Mannerist artist Parmigianino, executed in 1526–1527. It is in the collection of the National Gallery , in London .
Vasari wrote of a "Madonna seen from the side, in a fair pose, with several other figures" made by Parmigianino for a saddler friend of his in Bologna.That work was first linked to the London work in 1784, though some art historians date it a few years earlier during the artist's time in Rome, which ended with the Sack of Rome in 1527.