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The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences.
The AKAI MPK 88 (Music Production Keyboard) is a hammer-action, 88-key MIDI controller keyboard released by Akai in November 2009. [1] It is the only MIDI controller in the MPK series to feature hammer-weighted keys.
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology (formerly Digidesign) [1] for Microsoft Windows and macOS. [2] It is used for music creation and production, sound for picture (sound design, audio post-production and mixing) [3] and, more generally, sound recording, editing, and mastering processes.
The Akai S3000XL [3] is a sampler with 32 polyphonic voices, and 2 MB of built-in RAM.. For adding sounds to the sampler, the S3000XL features a 3.5" floppy drive that reads Akai-formatted floppies, and a SCSI port which allows for connection to an external storage device (such as a zip drive or external hard disk), a CD reader, or a computer for editing samples via the MESA editor.
Akai produced consumer video cassette recorders (VCRs) during the mid-1980s. The Akai VS-2 was the first VCR to feature an on-screen display, [9] originally named the Interactive Monitor System. By displaying information directly on the television screen, this innovation eliminated the need for the user to be physically near the VCR to program ...
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In 2003, the Mackie Control Universal (MCU) protocol was introduced, combining together functionality from Mackie Control, Logic Control and HUI into a single protocol. [10] DAWs which support MCU (in addition to those which support HUI) include Ardour , [ 11 ] Ableton Live , Studio One , Cubase , and Reason .
The Akai S1000 is a 16-bit, 44.1 kHz professional stereo digital sampler, released by Akai in 1988. The S1000 was among the first professional-quality 16-bit stereo samplers. [ 3 ] Its abilities to splice, crossfade, trim, and loop sound in 16-bit CD quality made it popular among producers in the late 80s through to the mid 90s.