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The most notable feature of the exterior are the blue and white tiles from Puebla that cover the building on three sides. Its windows, balconies and doors are framed in carved stone and French porcelain crowns on the Callejón de la Condesa and Madero Street facades. [1] [8] Inside, the main courtyard contains a fountain crowned with mosaics ...
Glazed tile decoration in the cuerda seca technique was used in other early Ottoman monuments, particularly in the Green Mosque and the associated Green Tomb in Bursa (early 15th century). [2] [3] The tiles of the Green Mosque complex generally have a deep green ground mixed with combinations of blue, white, and yellow forming arabesque motifs.
In her new novel, the author of "Hollow Kingdom" and "Feral Creatures" captures the comedy of truffle-mania in a tiny Tuscan village, upon the discovery of the world's largest truffle.
The earliest datable objects are blue-and-white border tiles that decorate the mausoleum in Bursa of Şehzade Mahmud, one of the sons of Bayezid II, who died in 1506–1507. [ 43 ] [ 44 ] The term 'Abraham of Kütahya ware' has been applied to all the early blue-and-white Iznik pottery as the 'Abraham of Kütahya' ewer, dating from 1510, is the ...
Nostalgic Blue-Greens “I love front door colors with a vintage vibe,” says Los Angeles designer Jeff Andrews.For his own home, the designer chose De Nimes from Farrow & Ball—“a dusty blue ...
Delftware or Delft pottery, also known as Delft Blue [1] (Dutch: Delfts blauw) or as delf, [2] is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery , and the city of Delft in the Netherlands was the major centre of production, but the term covers wares with other colours, and made ...
While these factories produces high-relief tiles in one or two colours, the Lisbon factories started using another method: the transfer-print method on blue-and-white or polychrome azulejos. In the last decades of the 19th century, the Lisbon factories started to use another type of transfer-printing: using creamware blanks.
English delftware pottery and its painted decoration is similar in many respects to that from Holland, but its peculiarly English quality has been commented upon: "... there is a relaxed tone and a sprightliness which is preserved throughout the history of English delftware; the overriding mood is provincial and naïve rather than urbane and sophisticated."
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