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"Any Time at All" is a song by the English rock band the Beatles. Credited to the Lennon–McCartney partnership, it was mainly composed by John Lennon, with an instrumental middle eight by Paul McCartney. [2] It first appeared on the Beatles' A Hard Day's Night album.
The A 7 chord is an example of a secondary dominant, specifically a V/vi chord. The G 7 chord in the bridge is another secondary dominant, in this case a V/V chord, but rather than resolve it to the expected chord, as with the A 7 to Dm in the verse, McCartney instead follows it with the IV chord, a B ♭.
Influenced somewhat by the Shirelles, [3] "When I Get Home" is essentially a rock and roll number, but with unusual chord progressions. Lennon liked this particular ploy, and used it on many of his songs at the time. Typical also of this period of the Beatles is the vocal leap into falsetto.
These include demos, outtakes, songs the group only recorded live and not in the studio and, for The Beatles Anthology in the 1990s, two reunion songs: "Free as a Bird" and "Real Love". [41] A final reunion song, "Now and Then", was released in 2023. [42] The Beatles remain one of the most acclaimed and influential artists in popular music history.
"You Like Me Too Much" is a song by the English rock band the Beatles. It was written by George Harrison, the group's lead guitarist, and released in August 1965 on the Help! album, except in North America, where it appeared on Beatles VI. [2]
Paul McCartney performing in 2018. Paul McCartney is an English musician who has recorded hundreds of songs over his career of more than sixty years. As a member of the Beatles, he formed a songwriting partnership with his bandmate John Lennon that became the most celebrated in music history. [1]
The song has been said to be musically reminiscent of the Beatles' hit single "Penny Lane". [4] It moves forward by way of regular chords, produced by Lennon and George Harrison's electric guitar. George Martin plays Pianet and piano, on the latter bypassing the keyboard and directly striking the strings. [5]
The song marked the Beatles' first use of a guitar volume pedal. [ 20 ] [ 32 ] This tone-altering effect was a precursor to the wah-wah pedal and had recently been played by session guitarist Big Jim Sullivan on Dave Berry 's UK chart hits " The Crying Game " and "One Heart Between Two".