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The Epic of Gilgamesh (/ ˈ ɡ ɪ l ɡ ə m ɛ ʃ /) [2] is an epic from ancient Mesopotamia.The literary history of Gilgamesh begins with five Sumerian poems about Gilgamesh (formerly read as Sumerian "Bilgames" [3]), king of Uruk, some of which may date back to the Third Dynasty of Ur (c. 2100 BCE). [1]
Gilgamesh (/ ˈ ɡ ɪ l ɡ ə m ɛ ʃ /, [7] / ɡ ɪ l ˈ ɡ ɑː m ɛ ʃ /; [8] Akkadian: 𒀭𒄑𒂆𒈦, romanized: Gilgameš; originally Sumerian: 𒀭𒄑𒉋𒂵𒎌, romanized: Bilgames) [9] [a] was a hero in ancient Mesopotamian mythology and the protagonist of the Epic of Gilgamesh, an epic poem written in Akkadian during the late 2nd millennium BC.
The Epic of Gilgamesh (Czech: Epos o Gilgamešovi) is an oratorio for solo voices, chorus and orchestra by Bohuslav Martinů composed in 1954–1955 near Nice in France, [1] and premiered in 1958 [2] in Basel, Switzerland, with a title and text in German, as Das Gilgamesch-Epos. [3]
The oldest epic recognized is the Epic of Gilgamesh (c. 2500–1300 BCE), which was recorded in ancient Sumer during the Neo-Sumerian Empire. The poem details the exploits of Gilgamesh, the king of Uruk. Although recognized as a historical figure, Gilgamesh, as represented in the epic, is a largely legendary or mythical figure. [5]
In Tablet VI of the standard Akkadian Epic of Gilgamesh, after Gilgamesh repudiates her sexual advances, Ishtar goes to Heaven, where she complains to her mother Antu and her father Anu. [8] She demands that Anu give her the Bull of Heaven [ 9 ] [ 10 ] and threatens that, if he refuses, she will smash the gates of the Underworld and raise the ...
Andrew R. George (born 1955) is a British Assyriologist and academic best known for his edition and translation of the Epic of Gilgamesh.Andrew George is Professor of Babylonian, Department of the Languages and Cultures of Near and Middle East at the School of Oriental and African Studies, University of London.
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Siduri, or more accurately Šiduri (pronounced Shiduri), is a character in the Epic of Gilgamesh.She is described as an alewife.The oldest preserved version of the composition to contain the episode involving her leaves her nameless, and in the later standard edition compiled by Sîn-lēqi-unninni her name only appears in a single line.