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The Elements of Typographic Style; Fowler's Modern English Usage; Garner's Modern English Usage; IEEE style; ISO 690; MHRA Style Guide; Microsoft Manual of Style; MLA Handbook; The New York Times Manual; The Oxford Guide to Style/New Hart's Rules; Oxford Standard for Citation of Legal Authorities; Scientific Style and Format (CSE style ...
The PT family, showing the related structures of letters Thesis by Lucas DeGroot. In typography, a font superfamily or typeface superfamily is a font family containing fonts that fall into multiple classifications. [1] The norm in a superfamily is to start from an identical character shape; class-specific features such as serifs are added to ...
Typographical syntax, also known as orthotypography, is the aspect of typography that defines the meaning and rightful usage of typographic signs, notably punctuation marks, and elements of layout such as flush margins and indentation. [1] [2]
Example 1 Example 2 Example 3 Agency FB Designer: Caleigh Huber & Morris Fuller Benton Class: Geometric : Akzidenz-Grotesk Designer: Günter Gerhard Lange Class: Grotesque : Amplitude Designer: Christian Schwartz Class: Humanist : Andalé Sans Designer: Steve Matteson Class: Humanist : Antique Olive Designer: Roger Excoffon Class: Humanist ...
DejaVu fonts (free/open source, "DejaVu Sans" includes 3,471 glyphs and 2,558 kerning pairs in v2.6) Doulos SIL (free/open source, designed for IPA, 3,083 glyphs in v4.014.) EB Garamond (free/open source, includes 3,218 glyphs in 2017) Everson Mono (also known as, Everson Mono Unicode. Shareware; contains all non-CJK characters. 4,899 glyphs in ...
The OpenType format defines a number of typographic features that a particular font may support. Some software, such as Adobe InDesign , LibreOffice / OpenOffice , or recent versions of Lua / XeTeX , gives users control of these features, for example to enable fancy stylistic capital letters (swash caps) or to choose between ranging (full ...
In typography, the Vox-ATypI classification makes it possible to classify typefaces into general classes. Devised by Maximilien Vox in 1954, it was adopted in 1962 by the Association Typographique Internationale (ATypI) and in 1967 as a British Standard, as British Standards Classification of Typefaces (BS 2961:1967), [1] which is a very basic interpretation and adaptation/modification of the ...
The rules were embodied in a four-page booklet of typographic instructions for editors and compositors. The booklet includes headings for various aspects of composition: Text Composition; Indenting of Paragraphs; Punctuation Marks and Spelling; Capitals, Small Capitals, and Italics; References and Footnotes; Folios; The Printing of Plays; The ...