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Bunny Hoest (born 1932), sometimes labeled The Cartoon Lady, is the writer of several comic strips, including The Lockhorns, Laugh Parade, and Howard Huge, the first of which she inherited from her late husband Bill Hoest. [1]
Howard's humorous experiences show us family life at its funniest. [3] According to Bunny Hoest, the character was based on a real pet acquired when the family was looking for a Labrador Retriever as a companion to an aging black Lab. The kennel was vibrant with lively Labrador puppies, but a quiet, little animal was alone in a small cage.
Reiner used an ink wash to give the strip a greyish, monochromatic tone. Hoest and Reiner collaborate on another cartoon series called The Lockhorns, which is distributed by King Features Syndicate. The Lockhorns was created in 1968 by Bill Hoest, who followed with the creation of Laugh Parade in 1980 and Howard Huge in 1981.
The strip initially was titled The Lockhorns of Levittown, and many of the businesses and institutions depicted in the strip are real places located in or near Huntington, New York, on the North Shore of Long Island. "When we use names, we get permission," Bunny Hoest said in 2019. “Dr. [Harold] Blog was our doctor for many years. He passed away.
These are the results of an overall review of the syndicated comics that The Times publishes, which we promised to readers after printing a “9 Chickweed Lane” strip Dec. 1 that contained an ...
What a Guy! is an American comic strip created by Bill Hoest and Bunny Hoest, the team responsible for The Lockhorns and Agatha Crumm. It began in March 1987, just over a year before Hoest's death in 1988. The What a Guy! daily strip was a single-panel gag cartoon which was also formatted as a
After Hoest's 1988 death, his widow Bunny Hoest kept the family business going, and Reiner remained as the artist, working in the turret studio of the Hoest mansion in Lloyd Neck, Long Island. Reiner commented, “We get ideas for The Lockhorns from everyday observation, from interesting people, funny situations, driving or even at dinner.” [ 3 ]
Bill Hoest insisted on doing each of his comics meticulously. The artwork, writing, lettering and inking were all done in such a way as to meet his high self-imposed standards. I came to realize that his success, which so many cartoonists young and old tried to analyze, was the result of a simple rule: Learn to do each segment of a comic ...