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Roman love spell, by Johann Erdmann Hummel, 1848. In literature and art, the motif of a genuine love spell used to create or break up a relationship, typically for the benefit of one of the protagonists, is somewhat common, particularly in older literature and art, and sometimes causes tragic setbacks and complications for said protagonists.
The spells consisted of many objects found in the everyday life of a woman including narcotics, amulets, rings, knotted cords, and facial ointments. [1] Although the violent and passionate images typically depicted in eros were not found in philia, it is important to remember that like eros, the ultimate purpose of philia magic was to take ...
An incantation, spell, charm, enchantment, or bewitchery is a magical formula intended to trigger a magical effect on a person or objects. The formula can be spoken, sung, or chanted . An incantation can also be performed during ceremonial rituals or prayers .
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Such spells were believed to cause a person to fall in love with another person, restore love which had faded, or cause a male sexual partner to be able to sustain an erection when he had previously been unable. [41] Other spells were used to reconcile a man with his patron deity or to reconcile a wife with a husband who had been neglecting her ...
The Catholic Church often accused many types of women of performing magic in order to “bind” the passions of their clients, neighbors, friends, or even family. Binding Passions: Tales of Magic, Marriage, and Power at the End of the Renaissance by Guido Ruggiero offers many examples of “prostitution, concubinage, love magic, renegade clerics, a social hierarchy that largely overlooked the ...
In 1953, Doreen Valiente joined Gardner's Bricket Wood coven, and soon rose to become its High Priestess.She noticed how much of the material in his Book of Shadows was taken not from ancient sources as Gardner had initially claimed, but from the works of the occultist Aleister Crowley, from Aradia, or the Gospel of the Witches, from the Key of Solomon and also from the rituals of Freemasonry. [8]
The text is an incantation by a man named Apapolo (Papapōlō), the son of Nooe (Noah), to compel the love of another man Phello (Phlo), the son of Maure. Phello will be restless until he finds Apapolo and satisfies the latter's desire. The text provides the only example in Coptic language of a love spell between men. [1]
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