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Le Bassin d'Apollon (The Apollo Basin), also called the Fountain of Apollo or the Apollo Fountain, is a fountain in the Gardens of the Palace of Versailles, France. Charles Le Brun designed the centerpiece depicting the Greek god Apollo rising from the sea in a four-horse chariot. A pond was dug on the site of the fountain in 1639 called "The ...
The floor is covered with marble in a variety of patterns and colours: turquoise blue and Campan green, Languedoc red and Italian cherry, and veined white. [20] Under the Ancien Régime, it was covered in winter with a carpet from the Manufacture de la Savonnerie, designed by Jean-Baptiste Chevillion [ 20 ] and perfectly suited to its circular ...
Gardens of Versailles The Bassin d'Apollon in the Gardens of Versailles Parterre of the Versailles Orangerie Gardens of the Grand Trianon at the Palace of Versailles. The French formal garden, also called the jardin à la française (French for 'garden in the French manner'), is a style of "landscape" garden based on symmetry and the principle of imposing order on nature.
A pattern book, or architectural pattern book, is a book of architectural designs, usually providing enough for non-architects to build structures that are copies or significant derivatives of major architect-designed works. A number of pattern books have been very influential in spreading architectural styles.
Terrace of the Orangerie, Palace of Versailles (1684). The Baroque garden was a style of garden based upon symmetry and the principle of imposing order on nature. The style originated in the late-16th century in Italy, in the gardens of the Vatican and the Villa Borghese gardens in Rome and in the gardens of the Villa d'Este in Tivoli, and then spread to France, where it became known as the ...
The Latona Fountain in the Gardens of Versailles lies in the Latona Basin between the Palace of Versailles and the Grand Canal. On the top tier, there is a statue of the goddess Latona, mother of the sun and moon gods. [1] The fountain operates three times a week during the high season. [2]
French Classicism was, from the beginning, an expression of the power and majesty of the Kings of France. It proceeded deliberately in a different direction from Italy and the rest of Europe, combining classical elements, especially colossal orders of columns, and avoiding the exuberant decoration that appeared on façades and interiors in Spain, Germany and Central Europe.
The Louis XVI style was a reaction to and transition the French Baroque style, which had dominated French architecture, decoration and art since the mid-17th century, and partly from a desire to establish a new Beau idéal, or ideal of beauty, based on the purity and grandeur of the art of the Ancient Romans and Greeks.