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The four main components of a mast or pole photography system are: (1) the telescoping mast or pole, (2) a high resolution digital camera that is, (3) controlled remotely with a smartphone or computer tablet running a mobile app, and (4) a remote controlled and powered pan/tilt head for pointing the camera.
CMX-6000 – Introduced in 1986, the CMX-6000 was a videodisc-based offline video editing system for long forms editing, particularly tel-series and theatrical feature film (with Kodak KeyCode). CMX CINEMA – In 1993, CMX came with a new digital video version of its 6000 videodisc offline editor with a Window and mouse-driven interface.
The CMX 600 was the very first non-linear video editing system. This Emmy Award winning system was introduced in 1971 by CMX Systems, a joint venture between CBS and Memorex. [1] CMX referred to it as a "RAVE", or Random Access Video Editor. The 600 had a console with 2 black & white monitors built in, as well as a light pen used to control the ...
The Panavision mounts are exclusively used with Panavision lenses, and thus are only available on Panaflex cameras or third-party cameras "Panavised" by a Panavision rental house, whereas the PL-mount style is favored with most other cameras and cine lens manufacturers. Both of these mounts are held in place with locating pins and friction ...
The camera section held the lens and camera tube pre-amplifiers and other necessary electronics, and was connected to a large diameter multicore cable to the remainder of the camera electronics, usually mounted in a separate room in the studio, or a remote truck. The camera head could not generate a video picture signal on its own.
Several tripod-mounted and handheld professional video cameras. A variety of zoom lenses for the tripod-mounted "hard" cameras, typically at least 50× to 100× magnification, and a maximum focal length of at least 600mm. The extreme amount of magnification is necessary because the cameras can be located quite a distance from the action.
Perspective control is a procedure for composing or editing photographs to better conform with the commonly accepted distortions in constructed perspective. The control would: make all lines that are vertical in reality vertical in the image. This includes columns, vertical edges of walls and lampposts. This is a commonly accepted distortion in ...
1998: Avid received an Emmy Award recognizing the real-time multi-camera grouping option in the Media Composer and Film Composer digital editing systems. 1999: At the 71st Academy Awards, Avid Technology Inc. was awarded an Oscar for the concept, system design and engineering of the Avid Film Composer for motion picture editing which was ...
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