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Caliban (/ ˈ k æ l ɪ b æ n / KAL-i-ban), the subhuman son of the sea witch Sycorax, is an important character in William Shakespeare's play The Tempest.. His character is one of the few Shakespearean figures to take on a life of its own "outside" Shakespeare's own work: [1] as Russell Hoban put it, "Caliban is one of the hungry ideas, he's always looking for someone to word him into being ...
Caliban upon Setebos is a poem written by the British poet Robert Browning and published in his 1864 Dramatis Personae collection. [1] It deals with Caliban , a character from Shakespeare's The Tempest , and his reflections on Setebos, the brutal god believed in by himself and his late mother Sycorax .
Sycorax / ˈ s ɪ k ər æ k s / is an unseen character in William Shakespeare's play The Tempest (1611). She is a vicious and powerful witch and the mother of Caliban, one of the few native inhabitants of the island on which Prospero, the hero of the play, is stranded.
The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that he wrote alone.After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where Prospero, a wizard, lives with his daughter Miranda, and his two servants: Caliban, a savage monster figure, and Ariel, an ...
Characters used in the theatrical play The Tempest (c. 1610–1611) by William Shakespeare. Pages in category "Characters in The Tempest" The following 8 pages are in this category, out of 8 total.
Ariel is a 1900 essay by Uruguayan author José Enrique Rodó. [1] Drawn from William Shakespeare's The Tempest, in which Ariel represents the positive, and Caliban represents the negative tendencies in human nature, this essay is a debate on the future course of history, in what Rodó intended to be a secular sermon to Latin American youth, championing the cause of the classical western ...
Caliban to the Audience, the longest section by far of the work, is a prose poem in the style of Henry James.In it, Auden reflects on the nature of the relationship of the author (presumably Shakespeare) to the audience of The Tempest, the paradoxes of portraying life in art, and the tension of form and freedom.
The Tempest, or The Enchanted Island is a comedy adapted by John Dryden and William D'Avenant from Shakespeare's comedy The Tempest. [1] The musical setting, previously attributed to Henry Purcell , and probably for the London revival of 1712, was very probably by John Weldon .