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In 1952, King Bhumibol Adulyadej composed the "Royal Marines March" (Thai: มาร์ชราชนาวิกโยธิน), the official march of the Royal Thai Marine Corps. It was the 30th composition by the king. It was first performed on 7 June 1959, during the visit of the American 7th Fleet to Thailand. [1] [2] [3] [4]
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Among alternative tunings for the guitar, an open G tuning is an open tuning that features the G-major chord; its open notes are selected from the notes of a G-major chord, such as the G-major triad (G,B,D). For example, a popular open-G tuning is D–G–D–G–B–D (low to high).
He has lived in Thailand since 1979, [2] where his recordings of the music of King Bhumibol have made the classical guitar a fashionable instrument. [ 3 ] Though holding a master's degree in classical music, Eichelmann has developed his own diverse musical repertoire bridging the cultures of East and West [ 3 ] as well as those of classical ...
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IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
Delirious? (formerly known as The Cutting Edge Band) were an English contemporary Christian band. For the majority of their career, the lineup featured Martin Smith on vocals and guitar, Stu G (full name Stuart Garrard) on guitar and backing vocals, Jon Thatcher on bass guitar, Tim Jupp on keys and piano, and Stew Smith on drums and percussion.
The song is in the key of C and the chorus ("Here comes the Sun King") involves a I (C)–Imaj 7 (Cmaj 7 chord)–v 7 (Gm 7 chord)–VI 7 (A 7 chord) progression against a C–B–B ♭ –A vocal harmony. [4] It also features 7th and 6th extensions which author Dominic Pedler described as "psychedelic". [5]